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The Book of Alternative Photographic Processes, by Christopher James
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Photographic artists and students of alternative process photography will welcome this new edition of Christopher James' The Book of Alternative Photographic Processes. This significantly expanded edition is a full-color, lavishly illustrated, comprehensive resource that explores every aspect of alternative process image making. With his highly conversational writing style, James explores the techniques, processes, idiosyncrasies, history, and cultural connections that are such a significant part of the genre. Best of all, James makes it extremely accessible, providing clear instructions and practical workflow advice. The book delves into a vast menu of alternative and traditional options, among them: calotype, salted paper, cyanotype, argyrotype, chrysotype, POP, kallitype, ambrotype/wet collodion, Van Dyke, platinum/palladium, Ziatype, gelatin dry plate emulsions, carbon, gum bichromate, albumen, hand-applied emulsions, paper, alternative imaging systems, and digital negative production for alternative process image making. This book has become the unanimous standard reference text for alternative process photography, one that students love to read and work from. Not only does this definitive work make the most complex ideas easy to understand, it is conversational, comfortable, inspirational, and fun to read- a tremendous resource and a treasure trove of alternative process images. "The first edition was a stunning achievement, and one I felt that was not likely to be superceded. Five short years later Christopher James has created a very new work and a new standard. The Book of Alternative Photographic Processes: 2nd Edition is, by far, the best alternative photographic process book ever!" - Richard Sullivan, Founder and Co-Owner, Bostick & Sullivan "If I could only have one photography book this would be it." -Timothy Whelan, Photographic Books
- Sales Rank: #434576 in Books
- Published on: 2008-02-12
- Original language: English
- Number of items: 1
- Dimensions: 1.17" h x 8.55" w x 10.86" l, 3.91 pounds
- Binding: Paperback
- 660 pages
Review
"The first edition was a stunning achievement, and one I felt that was not likely to be superceded. Five short years later Christopher James has created a very new work and a new standard. The Book of Alternative Photographic Processes: 2nd Edition is, by far, the best alternative photographic process book ever!" - Richard Sullivan, Founder and Co-Owner, Bostick & Sullivan
"As bit strings take over our photographic being - if not our lives - we need, more than ever, this playful and inspiring manual. James cheerfully and effectively instructs us, whether we are novice or adept, in the alchemical arts of transmuting our expressive photographic images, both digital and analogue, into hand-crafted prints which will forever bear our individual marks." - Dr. Mike Ware, Author of over 50 publications on alternative process, history, process and preservation.
"If I could only have one photography book this would be it." - Tim Whelan Photographic Books
About the Author
Christopher James is an internationally known artist and photographer whose photographs, paintings, and alternative process printmaking have been exhibited in galleries and museums in this country and abroad. His work has been published and shown extensively, including exhibitions in The Museum of Modern Art, The Metropolitan Museum of Art, The George Eastman House, and the Philadelphia Museum of Art. The first two editions of his book, The Book of Alternative Photographic Processes have received international critical acclaim and are universally recognized by artists, curators, historians, and educators as the definitive texts in the genre of alternative process photography and photographically integrated media and culture. Christopher, after 13 years at Harvard University, is presently University Professor and Director of the MFA in Photography program at The College of Art and Design - Lesley University. He is also a painter, graphic designer, and a professional scuba diver. His web site is www.christopherjames-studio.com
Most helpful customer reviews
3 of 3 people found the following review helpful.
"Alternative Photographic Processes" does not disappoint, because of the clarity with which Mr
By Mjoseph671
Simply put - this is an incredible, deeply informative and READABLE book. While much of the literature on alternative processes focus primarily on methods and materials, I was interested most in the history of photography when I purchased this book. In this regard, "Alternative Photographic Processes" does not disappoint, because of the clarity with which Mr. James discusses his subjects, but perhaps more importantly - and surprisingly - it has me psyched to experiment with analog photography and hopefully take classes with the author.
You will see work and learn about processes that you never could have imagined existed: anthotype and cholorphyll processes (and how some enterprising artists preserve their work in "solid blocks of resin!!), Athenatype, Ziatype - EVERYTHING! And then - you will want to see how those processes could fit into your workflow and developing artistic vision!
Just get this book if you have any interest in photography at all.
2 of 2 people found the following review helpful.
Staggering!
By David Kachel
First, this is the last time you will be likely to see this book as a single volume. It's already like carrying around an unabridged dictionary. Unwieldy, yet irresistible, the next edition will be forced into two volumes (maybe three!).
I waited months to get my hands on this. It was worth the wait. Extremely well-written and entertaining too, there is no doubt this is now the gold standard for what is currently called "alternative photography", but will no doubt be called something else in the near future. After all, silver based photography is in fact already an "alternative" to digital. And digital photography is now providing some of the tools needed to practice alternative techniques in greater depth.
The great yellow father caused the brakes to be put on most of these "alternative" processes many years ago, and halted progress by amateurs via their repugnant secret keeping. I'm hoping that this book, and others like it, in addition to renewed interest in silver and a desire not to allow just one approach to take over again, will lead to renewed research and experimentation by photographers of all levels. If new and better processes don't result from the publication of this book, I will be very surprised.
1 of 1 people found the following review helpful.
Christopher has a fun and entertaining way about him that translates well to ...
By K. Wrage
Wow. I thought the first edition held more information than I could ever take in. Then the second, expanded edition came out, and I was once again blown away. The third edition is so massive and packed with processes (old and new) and additional information that I hardly know where to begin. Making pinhole cameras….calotypes….anthotypes…salt prints….albumen….gum bichromate (HUGE variety)….wet plate (a chapter that could be a book on its own)….Bayard's direct positive process….carbon prints….hand-applied emulsions….various paper and other substrate preparations….and this is just scratching the surface!
Christopher has a fun and entertaining way about him that translates well to the written word. He has been a teacher and mentor to many successful artists through the years, and his style is casual and easy while being very thorough. In his books, you get a little history that leads you into a chapter with everything from basic table set-ups, to different chemicals to use and how they affect the process, to different papers and other substrates, to loads of other types of information that is simply too extensive to list here. There are also many, MANY beautiful images used as examples throughout the book that intrigue and delight.
This is one not to be missed!
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